The New Topping Book by Easton Dossie & Hardy Janet W

Author:Easton, Dossie & Hardy, Janet W. [Easton, Dossie]
Language: eng
Format: epub
Publisher: SCB Distributors
Published: 2011-12-01T00:00:00+00:00

KEEPING IT GOING

Good tops are full of all kinds of sneaky ways to keep a scene going without breaking its energy.

A lot of the ideas we’ll talk about in this section fall into two categories: ways to keep the energy going in a scene that is supportive and nurturing, and ways to accomplish the same goal in a scene that’s harsh and is built around a fantasy of nonconsent. In both cases, you’re trying to do the same things – to get support and information for yourself and to provide support and encouragement for your bottom – but the way that you accomplish those goals will depend on what role you’re playing.

TAKING CONTROL. An important thing to remember is that your goal is to “turn off your bottom’s brain” – to enable her to melt into a malleable, will-less state of arousal and hypersensuality. The more control, verbal and physical, that you exert, the easier it will be for your bottom to relinquish control to you.

It’s a good idea to offer your bottom as few choices as possible. “Lie down on the bed” is not such a great order, because it leaves too many questions open in the bottom’s mind. “Lie down on the bed, face down, with your head facing the headboard, your legs together and your arms outspread” is better.

You may still want to offer your bottom choices as part of a head trip – “Six with the cane or 50 with the flogger? You choose.” But do so intentionally, and make it clear that you’re offering the choice not because you’re floundering but because you enjoy seeing the bottom struggle with the decision.

It can work very well to take control of a bottom in a physical way as well: pushing, grabbing, dragging, holding down. We did a scene that played with this sense of physical control:

Dossie was a recently captured slavegirl in a country where she didn’t speak the language; Janet was a new owner who wasn’t the talkative type. While Dossie begged, whined, offered bribes, fumed and refused, Janet simply physically forced her (with a little help from a few floggers and canes and paddles) to kneel, to dance, to suck Janet’s breasts, to masturbate, and other critical “slave skills.” For a couple of verbalists like us, it was a fabulously freeing scene – Dossie couldn’t talk her way out of it, and Janet found herself able to be physically rough, with hairpulling, shoving, armtwisting and so on, in a way that’s usually difficult for her.

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